While some movies in the past did showcase rain songs in a vulgar manner, majority of songs picturized in a rain sequence are sensual and aesthetic. In most commercial Bollywood movies rain songs are shot in an aesthetic manner. Actresses in rain drenched sarees have been a popular since the black and white era of filmmaking, and the trend continues to this day. The cameras didn’t miss a thing in rain songs, from wet pouty lips to the pinch on wet hips everything was captured in grand Bollywood style. Many heroines in the 80s were made to wear monotone transparent sarees for rain songs. The transparent wet saree did make hearts flutter throughout the 80s and 90s. The wet saree appealed to the masses, and filmmakers made it a point to have a sensual rain song in movies. Many commercial movies of the 80s featured sexy and seductive rain songs in which the heroine would romance the hero. The rain songs in the 80s paved the way for sensuality in wet saree song sequences. The 80s were responsible for giving a bold avatar to rain songs. Ever since color came into being, the songs associated with rain have become more colorful in every aspect. Since early days, rain songs have been rather popular in Hindi films. Over the years the typical rain song has changed drastically in Hindi films. Lovers getting wet in the rain with theatrical expressions…this is a typical scene from a Bollywood movie. This article showcases an epic list of Bollywood rain songs. R.Rain songs have been in Hindi films since the Indian film industry came into being. Although the play (which debuted in 2007 in both Toronto and London) received negative reviews, it was a mediocre hit with viewers. The production’s $25 million budget allowed Rahman to collaborate with the Finnish folk group Värttinä on a musical score that perfectly encapsulated the otherworldliness of J.R.R. The Lord of the Rings musical, Rahman’s subsequent stage production, debuted in Toronto in 2006. But because of the show’s successful ticket sales and the popularity of Rahman among London’s sizable Indian community, the Broadway version of the production debuted in 2004. Bombay Dreams, a colorful parody of Bollywood movies that Rahman wrote the music for alongside lyricist Don Black, debuted in London’s West End in 2002 without much notice. Rahman was approached by British composer Andrew Lloyd Webber about writing a stage musical after hearing some of Rahman’s soundtracks. He has sold more than 100 million copies of his Rahman CDs. One of the more than 100 film scores that followed was the score for the 2001 Bollywood film Lagaan, which was the first to garner an Academy Award nomination. Roja (1992), their first endeavor, became Rahman’s debut successful movie soundtrack. Ratnam convinced Rahman to start writing music for movies. Rahman met Bollywood film director Mani Ratnam in 1991 at a ceremony where he was receiving an award for his work on a coffee advertisement. He produced more than 300 jingles, and he would later claim that the experience helped him develop discipline because creating jingles required quickly conveying a strong message or emotion. He eventually decided to use his skills in the production of commercial jingles after growing weary of performing in bands. He dropped out of school but was given the scholarship to study at Trinity College, Oxford, where, thanks to his work experience, he obtained a degree in Western classical music.įollowing the recovery of a sister from a critical illness, his family converted to Islam in 1988, and he adopted the name, Allah Rakha Rahman. Rahman started playing the piano professionally at age 11 to support his family when Sekhar passed away when he was just nine years old. The child was interested in electronics and computers, and thanks to his father’s fortunate acquisition of a synthesizer, he was able to follow his passion while also developing a love for music. Sekhar, was a well-known Tamil musician who wrote scores for the Malayalam film industry. Rahman began learning the piano at the age of four, and his father, R.K. His large body of work on stage and screen has earned him the moniker “the Mozart of Madras.” Rahman, whose full name is Allah Rakha Rahman, was born on January 6, 1966, in Madras, India (now Chennai).
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